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lar legs, Momoko's
ample hips, was made silky-smooth by the wonderful material. If Momoko Tani
didn't have the more classic beach beauty figure that Flora sported, it
was of no matter, he preferred his women to look like WOMEN, not
girls.
The additions to the suit gave Momoko's a sexier, postmodern look. The
huge, rounded cones of Momoko's breasts jutting straight out, and the
mounded cleft between Momoko's legs, emphasized Momoko's female shape to the
point of caricature. Momoko Tani might be a modern store-window mannequin,
Dodds thought, but one that few window dressers would dare display.
With a sigh, he returned to his work. He got out a large tin of latex
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